Avery SINGER (b. 1987), Study for Hasidic Holiday,
2014, Acrylic on wood panel, 79 x 92.5 x 6.5 cm
Avery SINGER (b. 1987), China Chalet (study), 2021, Acrylic on board, 107 x 226 cm
Avery SINGER (b. 1987), Happening 2014, Acrylic/canvas, 254 x 304.8 cm
Lyubov Sergeyevna Popova, Portrait of a Philosopher, 1915
Avery Singer (b. 1987), Studio Chair, 2022, Acrylic/canvas, 241.9 x 216.5 `cm
Alexander Rodchenko, Dance, An Objectless Composition, 1915
Avery Singer (b. 1987), Watch ’em and Chase ’em…See Where I Place ’em, 2023, Acrylic on canvas stretched over aluminum panel, 306 x 255 x 6 cm, & NYPD police car after the 9/11 attacks
Rashid Johnson (b. 1987), Surrender Painting “Mercury”, 2022, Oil on linen, 188 x 249 cm
Brice Marden, 11 (to Léger), 1987-8
Salman TOOR (b. 1983), Rooftop Party with Ghosts 3, 2015, Oil on canvas 119 x 183 cm
Elizabeth PEYTON (b. 1965),Martin Creed @ St. John’s London, 1999
Oil on board, 27.9 x 35.5 cm
Elizabeth PEYTON (b. 1965), Prince Harry, (with Flowers), 1997
Oil on canvas, 101.6 x 82.8 cm
Dana SCHUTZ (b. 1976), The Line, 2015, Gouche and Graphite on paper, 90 x 77cm
Dana SCHUTZ (b. 1976), Shooting on the Air, 2016, Oil on canvas, 243 x 228 cm
Diego Velázquez, Las Meninas, 1656
Dana SCHUTZ (b. 1976), Lion Eating Its Tamer, 2015, Oil on canvas, 213 x 223 cm
Max Beckmann, The Lion Tamer, 1910
Cindy SHERMAN (b. 1954),1989, Chromogenetic color print, 240.2 x 161.4 x 9.5 cm
Jean Fouquet, Madonna and Child, c.1450
John CURRIN (b. 1960), Climber, 2021, Oil on canvas, 193 x 121.9 cm
Saint Columba Altarpiece, c.1455 & Hans Memling, The Annunciation, c.1480
John CURRIN (b. 1960), Gala, 2022, Oil on linen, 127.3 x 101.9 cm
Moretto da Brescia, Christ in the tomb with the saints Jerome and Dorothea, c.1533
Jenna GRIBBON (b. 1978), A Reflection Held, 2024 oil on linen, 203.2 x 162.6 cm
Jean-Étienne Liotard, Young Girl Singing into a Mirror, 1752
Pietro ROCCASALVA (b. 1970), 2023, La sposa occidentale, Acrylic on canvas, 98 × 67 cm
The Virgin of Vladimir, c. 1131, Tretyakov Gallery, Moscow
Emily Mae SMITH (b. 1979), Saint and Sinner Study, 2022 oil on linen, 25.4 x 20.3 cm,
Flemish Painter, Portrait of a Woman with Handkerchief, c. 1627
Emily Mae SMITH (b. 1979), The Divine Medium,
2023, Oil on linen, 198.1 x 279.4 cm
Jadé FADOJUTIMI (b. 1993), 2024, Acrylic, oil pastel &bar on canvas, 250 x 175 cm
Claude Monet, Reflection of a Weeping Willow Water-Lilies, 1916
Jadé FADOJUTIMI (b. 1993, Untitled, 2024
Acrylic, oil, oil pastel, and oil bar on canvas, 250 × 175 cm
Nicolas PARTY (b. 1980), Red Forest, 2022, Soft pastel on linen, 220 x 160 x 3.8 cm
Gustav Klimt, Fir Forest I, 1901
Shara HUGHES (b. 1981), Come and Get It, 2024, Oil, acrylic & dye on canvas, 254 x 127 cm
Paul Gauguin, Blue Trees, 1888
Shara HUGHES (b. 1981), You Can’t Hide, 2022, Oil, acrylic & dye on canvas, 172 x 152 cm
Howard Hodgkin, Mirza’s Room, 1995- 1996
Shara HUGHES (b. 1981), Waiting To See You Again, 2021, Oil on canvas, 148 x 127 cm
Sigmar Polke, Dschungel (Jungle), 1967
Shara HUGHES (b. 1981), Swelling, 2023
oil, acrylic, and dye on canvas diptych, overall, 183 x 442 CM
Shara HUGHES (b. 1981),Three Tree Three, 2020, Mixed media on paper Sheet 38 x 28 cm
Shara HUGHES (b. 1981), Beyond The Bend
2020
Hilary PECIS (b. 1979), Sharon Flowers, 2024 acrylic on linen, 189.5 x 254.6 cm
Vincent van Gogh, Sunflowers, 1888
Hilary PECIS, Black Tablecloth Arrangement, 2024, acrylic on linen, 195.6 x 233.7 cm
Mary Fedden, Still Life with Bowl of Fruits & Sunflowers, 1957
Peter SAUL (b. 1934), This Is Not The Sandwich I Ordered, 2019, 153 x 183 cm
Peter SAUL (b. 1934), One Too Many, 2009, 120 x 90 cm
Peter SAUL (b. 1934), Ice Cream in a Bathroom, 1998, Acrylic, oil on canvas, 167.5 x 183 cm
Jeff Koons, Loopy, 1999
Alex Da Corte (b. 1980), The End, 2022
Velvet, EPS foam, 1/4″ foam, MDF, thread 193x 188x 30.5 cm
Alex Da Corte (b. 1980), ROY G BIV (Act 3, Scene 2), 2022
EPS foam, flash paint, acrylic paint, hardware, magnets 87.6 x 65.7 x 29.5 cm
Jonny NEGRON (b. 1985), The World, 2022, Acrylic on linen, 116.8 x 81.3 cm
The World Tarot Card
Jonny NEGRON (b. 1985), Medusa’s Refrain, 2022, 236.2 x 182.9 cm
Mohammed SAMI (b. 1984),The Operations Room, 2023, mixed media on linen, 225 x 140 cm
Leon Golub, Night Scene III, 1988
Lynette YIADOM-BOAKYE (b. 1977), The Like Above All Lovers, 2013
Oil on canvas, 200 x 250 cm
Toyin Ojih ODUTOLA (b. 1985), LTS IV, 2014
Charcoal, pastel, marker on paper, 107 x 168 cm
Lina Iris VIKTOR (b. 1987), Dark Continent SE VI, 2021
Pure 24-karat gold, acrylic, copolymer resin, print on cotton rag paper, 132.1 X 106.7 CM
Lina Iris VIKTOR (b. 1987), Consetellations X SE, 2021
Pure 24-karat gold, acrylic, copolymer resin on cotton rag paper, 101.6 X 142.2 CM
Lina Iris VIKTOR (b. 1987),Red/Cazimi- Red/ Sun – Red/ Meridian 2022
Gold, acrylic, gouache, ink, pastel, raffia, and wire on cotton rag paper, E 200.7 x 127 x 8.9 cm
Deana LAWSON (b. 1979), Kareem, 2023, pigment print, 186.7 x 132.4 cm
Portrait of Diallo by William Hoare (1733)
Deana LAWSON (b. 1979), The Toast, 2023, pigment print, 130.3 x 101.9 cm
Jeff Wall, A Ventriloquist at Birthday Party in October 1947 (1999)
Sarah LUCAS (b. 1962), DICK’EAD, 2018
Bronze, concrete, cast iron and acrylic paint, 172 x 78.5 x 116.5 cm
Ed. 5/6
Jean-Marie APPRIOU (b. 1986), The Sea Alchemist, 2022, Cast bronze, handblown glass
Unique, 240 x 115 x 100 cm, Alejandro Jodorowsky, Dreamscape, 1973
Nicole EISENMAN (b. 1965), Love or Generosity Maquette, 2019-2021
Bronze and stainless steeL, 137.2 x 87.6 x 116.8 cm
Nicole EISENMAN (b. 1965), Head with Hat (Tiff), 2022, Oil on canvas, 152.7 x 122.6 cm
Paul Camenisch, The Bride and Groom, 1928
George CONDO (b. 1957), Avery at the Hospital, 2021, Oil on canvas, 228.2 x 190.6 x 3.8 cm
Pablo Picasso, Bust of a Women, 1940
George CONDO (b. 1957), Collision Course, 2009, Acrylic on linen, 183 x 147 cm
Piet Mondrian, Composition in Red, Blue, and Yellow, 1937-1942
Bridget RILEY (b. 1931), Cupid’s Quiver, 1985
Oil on canvas, 154.5 x 125.5 cm
Fred EVERSLEY (b. 1941), parabolic lens,1969-2019
3-color, 3-layer cast polyester, 50.2 x 50.2 x 15.9 cm
I WON’T BE BUCCANEERING WITH PEOPLE’S LIVES
James CAPPER (b. 1987), 2021, Industrial paint on paper, 152.3 x 152.3cm
Richard PRINCE (b. 1949), 2020, acrylic, oil stick, collage,
ink jet, charcoal, canvas, 188.5 x 147.5cm
Richard PRINCE (b. 1949), 2020,178 x 160 cm
2021, collage, acrylic, oil stick, ink jet, paper, canvas, 166 x 158.1 cm
Richard PRINCE (b. 1949), 2021,148.6 x 101.9,
2021, collage, acrylic, oil stick, ink jet, charcoal, paper, canvas, 127.2 x 148.2 cm
Joel MESLER (b. 1974), Untitled (Celebration), 2021, pigment on linen, 203.2 x 177.8 cm
Joel MESLER (b. 1974), Untitled (Three Kings), 2021, pigment on linen, 203.2 x 177.8 cm
Jonny NEGRON (b. 1985), Here Comes the Flood,2023, Acrylic on linen, 162.6 x 142.2 cm,
Ed Ruscha, Start Over Please, 2015
Jonny NEGRON (b. 1985), Neutralized, 2023, Acrylic on linen, 162.6 x 236.2 cm
Torbjørn RØDLAND (b. 1970), Red, White and Ink, 2021
chromogenic print, 155.6 x 122.6 cm, Edition 2 of 3, with 1AP
Mario AYALA (b. 1991), Casa Sanchez, 2023, acrylic on canvas, 121.3 x 175.3 cm
Mario AYALA (b. 1991), Mucho Mucho Amor (Bumper Sticker),
2023, acrylic on canvas, 104.1 x 243.8 cm
Mario AYALA (b. 1991), Warning, Funny How?,
2023, acrylic on canvas diptych, 188.6 x 145.1 cm
Peter SAUL (b. 1934), Cleopatra, 2008
Acrylic, oil on canvas, 183 x 274.5 cm
Peter SAUL (b. 1934), The Alamo, 1990, Oil and acrylic on canvas 213 x 305 cm
Paul Cadmus, Coney Island, 1934
Justin FITZPATRICK (b. 1985), 14 hour work day & Portrait of Pavel Tchelitchew, 2021
Oil on canvas mounted on wooden panel 123 x 63 x 3 cm
Joel DEAN (b. 1986), Initial S and the Transformative Power of Symbolism in Storytelling
2021, Oil on canvas, 162.6 x 121.9 cm
Joel DEAN (b. 1986), Initial P&E and the Transformative Power of Symbolism in Storytelling
2021, Oil on canvas, 162.6 x 121.9 cm
Karla KAPLUN (b. 1993), La Misión, 2022,
Installation of 15 paintings, Oil on canvas, wood frames, 323 x 931 x 4.6 cm
Julien CECCALDI (b. 1985), Windswept Rose, 2022
Acrylic on canvas, natural wood frame 220 x 620 cm
Julien CECCALDI (b. 1985), Rosa Foetida 2022, Acrylic on canvas, 210 x 154 cm
Meditative rose by Salvador Dali (1958)
Julien CECCALDI (b. 1985), Girly Bedroom, 2022
Acrylic on canvas, 152.4 x 121.9 x 3.8 cm
Louisa GAGLIARDI (b. 1985), Plus One, 2022, Gel, nail polish, ink on PVC, 200 x 170 cm
DOMÍNGUEZ SÁNCHEZ, MANUEL, The Death of Seneca, 1871
Louisa GAGLIARDI (b. 1985), Cleaning House, 2023, Gel medium ink on PVC, 265 x 200
Mark Tansey, Forward Retreat, 1990
Louisa GAGLIARDI (b. 1985), Rest Stop, 2021
Gel medium, ink on PVC 115 x 205 cm
Louisa GAGLIARDI (b. 1985), Tête-à-tête, 2022
Gel medium, nail polish, ink on PVC, 370 x 1100 x 5 cm, 5 panels, each 370 x 220 x 5 cm
Ana BENAROYA (b. 1987), Wouldn’t It Be Nice, 2021, Oil on canvas, 213.4 x 182.9 cm
Pablo Picasso, Two Women Running on the Beach (The Race), 1922
Ana BENAROYA (b. 1987), Constellation of My Heart, 2022
Spray paint, acrylic paint, and oil paint on canvas, 127 x 254 cm
Van HANOS (b. 1979), Wyman Park, 2016, Oil on linen, 198 x 152 cm
Van HANOS (b. 1979), Pregnant Painting, 2020, Oil on linen, 152 x 121 cm
Van HANOS (b. 1979), Archer, bow, lion, and whip, 2022 Oil on linen, 265x204x4 cm
Augustus Saint-Gaudens, Diana, Cast 1894 or after
Jason Fox (b. 1964), Untitled, 2020
oil, acrylic, and pencil on canvas, 106.7 x 91.4 x 2.5 cm
Yves SCHERER (b. 1987), Laetitia, 2021
Painted aluminum, Unique, 160 x 65 x 58.5 cm
Yves SCHERER (b. 1987), Le Cerisier, 2021
Painted aluminum, Edition 1 of 1 + 1 AP, 173 x 73 x 85.5 cm
Mamali Shafahi, How deep is your mouth?, 2022, Unique
Car paint and flocking on epoxy resin, 100 x 120 x 89 cm
Yousha BASHIR, The Second Space series, 2021, Acrylic on canvas, 188 x 150 cm
Yousha BASHIR, The Third Space series, 2021, Acrylic on canvas, 205 x 180 cm
Archived
Exhibition XVI
The Caudwell Collection: London
“In the images, the left-hand side showcases the collection, while the right-hand side features the comparisons. However, when both sides display works by the same artist, both sides will showcase the collection.”
With a degree of courage and visual intelligence the Caudwell collection vision draws a parallel between the American spirit and the freshness and vigor of the global art scenes. It strives in pursuit of iconic works of emerging and established artists to provide a dynamic platform for the art of our time.
Art has no dominion. Viewing and studying art becomes an addiction, though unlike other addictions, it is uplifting and enriching. Visual intelligence stems from visual experience and visual knowledge.
Beauty is in the eye of the beholder, but could we also say the same goes for art? The fundamental difference between beauty and art is that the former depends on who is looking at it, while the latter is about who has produced it. Art is a way of grasping the world. Not merely the physical world, which is what science attempts to do, but the whole world, and specifically, the human world – the world of society and spiritual experience. Paradoxically, however, art can communicate beyond language and time, appealing to our common humanity and linking disparate communities.
Art emerged around 50,000 years ago, long before cities and civilisation, yet in forms to which we can still directly relate. In response to the wall paintings in the Lascaux caves, a startled Picasso said, “We have learnt nothing in twelve thousand years.” Art periods such as Classical, Byzantine, neo-Classical, Romantic, Modern and post-Modern reflect the changing nature of art in social and cultural contexts; and shifting values are evident in varying content, forms and styles.
Throughout history, artists have been nurtured by patrons for their financial support to enable them to develop their work. In the beginning it was the church, then it was followed by royalty, the bourgeoisies, critics and museums. From religious themes, artist have now been liberated to communicate their life and concerns and to do so with integrity and humility across cultural boundaries.
In the twentieth century, the U.S. erected itself as the capital of global culture. Hollywood, the locus of movie production targeting the common public, soon grew to larger-than-life proportions, driving the business of the mass production and standardization of narratives and expectations. Its doppelganger in elite culture, the New York City art scene with its esoteric values, became the sole arbiter of contemporary art, ordaining culture codes that stamped out foreign innovation, along with racial and gender diversity that did not pertain to American art about American life.
Today’s global internet age, in which the prince and the pauper both participate in a shared platform of ideas and exchanges, shatters the contemporary art world’s established hierarchies. Borders have all but disappeared not only in the virtual but also in the real world due to the ease, speed and affordability of modern-day travel. In an adaptation of Maslow’s hierarchy of needs, the twentieth-century art market assumed that economic stability is prerequisite to cultural production. Yet the millennia-old dictum that cultural hegemony follows economic and military imperialism no longer holds.
There will always be a challenge to traditional concepts of art from the shock of the new, and tensions around the appropriateness of our understanding. That is how things should be, as innovators push at the boundaries.
List of artists: Avery Singer, Elizabeth Peyton, John Currin, Cindy Sherman, Dana Schutz, Peter Saul, Salman Toor, Lynette Yiadom-Boakye, Toyin Ojih Odutola, Sara Lucas, Nicole Eisenman, George Condo, Bridget Riley, Fred Eversley, James Capper, Joel Mesler, Justin Fitzpatrick, Joel Dean, Louisa Gagliardi, Ana Benaroya, Julien Ceccaldi, Karla Kaplun , Van Hanos, Jason Fox, Torbjørn Rødland, Yves Scherer, Yousha Bashir, Shara Hughes, Nichlas Party, Jean-Marie Appriou, Alex Da Corte, Rashid Johnson, Emily Mae Smith, Richard Prince, Mario Ayla, Pietro Roccasalva, Deana Lawson, Mamali Shafahi, Jadé Fadojutimi, Jenna Gribbon, Mohammed Sami, Hilary Pecis